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Oil Paintings Come From United Kingdom
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Pollard, James
English, 1792-1867 Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes.

 

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Pollard, James The Last Mail Leaving Newcastle, July 5, 1847 oil painting

Painting ID::  19909

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Pollard, James
The Last Mail Leaving Newcastle, July 5, 1847
Oil on panel.
   
   
     

 

 

Pollard, James Hatchetts- The White Horse Cellar, Piccadilly oil painting

Painting ID::  19910

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Pollard, James
Hatchetts- The White Horse Cellar, Piccadilly
Oil on canvas.
   
   
     

 

 

Pollard, James Springing Them up to meet the Train and Just in time for the Coach to Hull oil painting

Painting ID::  27315

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Pollard, James
Springing Them up to meet the Train and Just in time for the Coach to Hull
both signed one dated 1843-oil on panel 6 1/2 x 9 1/4 in (16.5 x 23.5 cm) (mk59)
   
   
     

 

 

Pollard, James A Meet Outside The Swan inn oil painting

Painting ID::  27435

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Pollard, James
A Meet Outside The Swan inn
signed oil on board 8 by 12 in .20.3 by 30.5 cm (mk59)
   
   
     

 

 

Pollard, James The Royal Mail Coaches for the North Ieaving the Angel Islington oil painting

Painting ID::  28010

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Pollard, James
The Royal Mail Coaches for the North Ieaving the Angel Islington
1827 Oil on canvas 103.2 x 146.4cm (40 3/4 x 57 3/4 in) Tate Gallery London (mk63)
   
   
     

 

 

Pollard, James A Street Scene with Two Omnibuses oil painting

Painting ID::  28009

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Pollard, James
A Street Scene with Two Omnibuses
1845 Oil on board 24.7 x 32 cm (9 3/4 x 12 5/8 in) Museum of London (mk63)
   
   
     

 

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Pollard, James
English, 1792-1867 Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes.